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In recent years, there has been growing interest in the integration of information and communication technology (ICT) in the education systems of countries across the globe. Such interest has often been premised on the assumption that ICT has great potential for improving the quality of education, yet it has contributed immensely to challenges teachers face in our society.
This thesis and cartography form part of an artistic research project that seeks to disrupt representationalism in South African contemporary dance praxis. The study argues that discursive methodologies risk recrafting colonial scripts and tether contemporary dance practices within a framework that perceives such practices as responses to the aesthetics and practices of Western theatre dance.
Background: People living with HIV (PLWH) are at an increased risk of developing additional chronic conditions, globally. In South Africa, the prevalence of HIV Chronic Co-Morbidities (HIV CCMs) ranges from 20% to 60%. Both PLWH and HIV negative people with a family history of chronic conditions and who engage in chronic risk factors - such as smoking, alcohol use, physical inactivity, and poor diet – have an increased risk of developing hypertension and other cardiovascular diseases. Older age, females and low levels of income are other known predictors of HIV CCMs.
In this thesis, I present an intersectional analysis of the Black students’ experiences of different dynamics of violence during the Fees Must Fall (FMF) movement in 2015/16 academic years. The overarching aim is to explore the various outcomes of interactions between the social phenomenon of violence and the intersectionality of the social cleavages of the students during FMF.